Wednesday, 11 October 2017

Visiting Professional - Type Design

Type Design: A Process - Dalton Maag

Custom typeface project:

  • Choose a steering group of people who have a kick-off workshop - what the client wants and how to get there/Information grabbing. 
  • Talk about the clients existing brand.
  • Look at core values of the organisation brand by association pictures.
  • Typographic association.
  • Font grid:












  • Then start to look at shared design features.
Revisit the Brief:
  • Choose a team (about 10 designers).
  • Then discuss the brief and what the client wants.
  • Then take into consideration the type features and whats needed.
  • Draw in: PostScript Outline
  • Deliver in: True Type Outline
  • Normally work on 7 or 8 ideas at a time.
  • Once some ideas a present they are then narrowed down to looking at just the core characters: aehinoptv - These ones are used because they are the ones that contain all the features that need to be looked at. 
  • Then introduce capitols.
When designing:
  • Start with normal weight - when these are complete introduce the extreme weights - light and extra bold.
  • Normally have to explore the details (make things smaller, lighter, smoother, etc)
  • When the client is happy: ASCII set - Upper case, lower case.
  • Interpolation - symbols, change in weight.
  • Once the design work is sorted - move onto kerning.
  • 50% of the job is the engineering of the font - add opentype features (stylistic alternatives, proportional figures)
Finally add hinting - controlling the way the characters will look using pixels.
Develop: Desktop fonts, Web fonts, App fonts.

Optical principles of drawing letters:
Contrast - imitating the hand written. Application of contrast is extremely important to get correct.
  • Weight need to be taken out of horizontals.
  • Round elements need to have an overshoot to prevent them looking too small.
  • Crossbar need to be slightly higher than the centre.

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