Custom typeface project:
- Choose a steering group of people who have a kick-off workshop - what the client wants and how to get there/Information grabbing.
- Talk about the clients existing brand.
- Look at core values of the organisation brand by association pictures.
- Typographic association.
- Font grid:
- Then start to look at shared design features.
Revisit the Brief:
- Choose a team (about 10 designers).
- Then discuss the brief and what the client wants.
- Then take into consideration the type features and whats needed.
- Draw in: PostScript Outline
- Deliver in: True Type Outline
- Normally work on 7 or 8 ideas at a time.
- Once some ideas a present they are then narrowed down to looking at just the core characters: aehinoptv - These ones are used because they are the ones that contain all the features that need to be looked at.
- Then introduce capitols.
When designing:
- Start with normal weight - when these are complete introduce the extreme weights - light and extra bold.
- Normally have to explore the details (make things smaller, lighter, smoother, etc)
- When the client is happy: ASCII set - Upper case, lower case.
- Interpolation - symbols, change in weight.
- Once the design work is sorted - move onto kerning.
- 50% of the job is the engineering of the font - add opentype features (stylistic alternatives, proportional figures)
Finally add hinting - controlling the way the characters will look using pixels.
Develop: Desktop fonts, Web fonts, App fonts.
Optical principles of drawing letters:
Contrast - imitating the hand written. Application of contrast is extremely important to get correct.
- Weight need to be taken out of horizontals.
- Round elements need to have an overshoot to prevent them looking too small.
- Crossbar need to be slightly higher than the centre.

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